In this project I designed a 3D model and animations of Denis Freitas' illustration. The focus of this project was to define the differences between 2D and 3D illustrations. The main difference I see is that a 3D model can be turned around easily, but a 2D illustration would require the artist to create a new picture of all the different angles.
This is Arden, a lidérc (a demon or “nightmare” of the hungarian mythology), wearing a costume. He’s a bit shy, because he was bullied a lot when he was a child, but he’s trying to explore the world. He’s a bit clumsy, but he’s trying his best.
Twisty is a fictional website, the purpose of which is to help maintaining relationships in a fictional world, where people already have grown cold. Twisty offers positive and negative services that can be ordered for ourselves or others, in the form of fictional characters.
Twisty was a team project:
Rolling Moon is a display font with characters made of circles that follow the formula of the golden ratio. The 3D models of the letters are based on spheres, which makes them resemble planets or moons.
I created short, looping 3D motion graphics, with different techniques, such as stop motion, object or camera following a path, basic keyframing and keyframing geometry nodes.
Miért a medve? (Why the bear?) is a 162 page photobook about sexual assault and abuse. I collected stories from through a form. I paired the 21 incredibly painful stories with photos of damaged surfaces as metaphores for wounds of the soul. The cut-out spine of the book represents vulnerability, and opening up about our traumas.
Egy járvány hajnalán (The prime of an epidemic) booklet contains selected poems of A bebábozódás után (After the pupation) POKET pocket-book, with illustrations. The 15 illustrations share a color palette and the illustration style, resembling the contents of the poems.
Crochet Cube is a creative publication that displays crochet techniques through crochet ("granny") squares, the name of each technique, the stitches used, the skill level needed, and the crochet chart of each square. This booklet highlights the importance of crafts and handmade things. It's made by hand itself and it displays the patterns too, so anyone with any crochet experience can recreate the squares.
Zinező is the design periodical of the Media and Design Institute of EKCU, Eger. The graphic design-themed articles of this broadsheet sized zine were collected and translated to Hungarian by the masters students, then each of us designed our own version of it.
Titkos Hálózat (Secret Network) is a movement with a purpose of making younger generations take a few steps outside of the digital world. The sophisticated penpal set invites them to try traditional penpaling besides the digital rush.
Guiding Lights of my Cosmic Cluster is a poster about my inspirations and their inspirations. The listed people and movies inspire not only me, but my art and my goals too. They have the power to motivate me day by day. They are represented by planets of my solar system, where their inspirations are their moons.
The title of the poster refers to them being guiding lights in my life, my solar system, a cosmic cluster.
Lynearis is a variable font in which the weight is determined by the number of lines used. The word Lynearis comes from the latine expression for "line" (linea).
Weights of the font: Zer (Thin), Sol (Extra Light), Du (Light), Tri (Regular), Quad (Medium), Pent (Semi Bold), Hex (Bold). Zer uses 0 (zero) lines, and Hex uses
6 lines.
The characters of the STIX display font contain only straight lines, carefully aligned inside triangles to form the letters. Every element of the font uses straight lines only, but an optical illusion makes the brain believe that here and there some curved lines were also used. I gave the characters a third dimention with the help of sticks, making the illusion tangible.
The Exclusiums luggage label series includes 12 illustrations of unique, spectacular museums. The series’ name comes from the combination of the words ‘exclusive’ and ‘museums’. When creating the illustrations, I used the contrast of vivid yellows and blues, with a geometric illustrative approach. Their icons are modifications of a square: I cut parts out of some, added shapes to others, etc.
Project Humanturn is a re-branding and website redesign. For the icon I used symbols for human, turning and clock. I used a greenish color palette, refering to meditation and connection with nature.
The website's menu contains: Our mission, How we turn, Next turn, Registration, Archive and Partners. The website design is made for desktop, tablet and phonescreen as well.
